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Старый 27.09.2013, 23:27   #1
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One fantastic tweedstyle gray coat was offering one long unit material, a large part of which happened, plus the rest of it hooped back up to build a voluminous silhouette.
As ever, the actual designer stole the show, with Tuesday's most impressive couture display. His creations glittered in dramatic contrast from the brokendown theater, recreated inside Paris' Grand Palais. Faded grimy curtains, old wooden stalls, some classic clothing styles mixed alongside futuristic streaks of silver embroideries and cosmiclooking hats. Fashion, it did actually say, resides in last year and also the future.
Exactly the same message ran the whole day of shows, with Italian designer Giorgio Armani delivering a luxurious collection that evoked the sensuality of old Hollywood while still remaining modern. Stephane Rolland, too, cited old masters which can include Velazquez as muses for that strong show, but achieved looks along with a modern elegance.
On the end, a creation perfectly showed Lagerfeld's expressionist mood. A long-term, black diaphanous silk dress was streaked with shards of fractured and glimmering silver. Was this musing inspired by means of the dark landscape of legendary filmmaker Fritz Lang?
The checkered runway in pearly hues of yellow, pink and beige set the climate to your nudetoned musings for fallwinter 2013. The colors recurred on a 52 creations, and can were containing a delicate femininity.
Chanel and Armani evoke old school and new
High fashion itself dates back over 150 several is steeped record.
Loose, pleated pants coordinated with high shoulders in marabou feathers cut a striking 1930s silhouette in the models' short wavy hair.
Indeed, the Spanish royal court's master painter Diego Velazquez was one of several inspirations behind this collection.
Even though the collection were groundbreaking, it confirms a normally glitzy and glam designer, who's recognized for dressing redcarpet celebrities, is planning a welcome, more elegant direction.
However the stronger work is discovered with the threepart silk dresses in pink crepe, black georgette and ivory "charmeuse." They fluttered by like butterflies."Austere, but sensuous," were what it notes designed to describe Stephane Rolland's dark and luxuriant couture display, which continued from your elegant footsteps of last season.
Giorgio Armani perceived to strip our bodies bare using a classic couture collection Tuesday that was included with a twist and was entitled simply, "Nude."
"You know," Lagerfeld said. "My entire life is known as a Fritz Lang moment."
But also the show, normally, remained relatively classical, several creations had the refined look of oldschool Hollywood glamor.
Deep midnight blue produced a classy silk crepe jumpsuit employing a billowing black satin module that evoked the fuzzy brushstrokes connected with a painter.
Fabric woven tightly within the neck and held with silver clasps, at times, felt as carved simply because marble artwork itself.
Models in ivory, pink and jetblack wandered among Bourdelles' private offering of bronze and marble figures, preparing a visually dramatic scene.
When your models appeared, the contrasts continued: the very first chic a number of Aline skirt suitstyles were twinned with Grace Jonesstyle spaceage hair. Intergalactic square hats that are attached in the back of the head did actually float exactly like a geometric halo, for a great anachronism.
The Armani Prive show made its statement in skincolored fine organzas, lace and tulles, which exposed much skin. Frequently, info appeared to simply melt onto the models' flesh.
The 67 very wearable looks had some notable features, most notably wide, often shiny, belt bands that strapped across in conjunction with the hip, and mosaic patterns. Rather than boots, Lagerfeld put legs inside "stocking shoes," attached within the leg by having a garter like lingerie. Jackets sometimes had strong, menswear shoulders which contrasted with tight feminine dress sleeves. And skirts were layered upon skirts to release different directions of motion.
Thirtythree creations saw Rolland using black, flowing capes to possess this regal message across, and also hanging lengths of rippling silks that generated in your mind is a superb nobility or timeold queenliness using the material's simple, natural luxury.
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